Answering these questions provided the conceptual baseline that allowed us to begin editing and composing: We are searching for narratives that can be formed by recompiling the footage, becoming spectators with our own point of view, forming our own meanings, and hiding those meanings within seemingly lighthearted moments that will later on develop into a purely capitalist vacation industry.

As a result, a critical view on the political and post-capitalist situation more than 60 years later emerged. As we see mass demonstrations against the tourist industry (e.g. Palma, Mallorca) and its negative impact on the life of locals where raising rents and low wages are making their life increasingly complicated, an exclusion of these critical perspectives became impossible. These demonstrations happen at the exact same places the footage was shot over 50 years ago. This new perspective required more careful examination of the material. What is hidden behind the first layer of footage documenting a perfect world of positivity and gluttony? Where can we see cracks and tears forming in the pleasuredome, and how can we excavate and hint at them through musical composition?